“vellum in war time”: Playing with MJP Data
It is important that you should send the edition on extra fine paper to a certain sort of person. Only a finely got up magazine will strike the eye in certain districts.
The rough paper is good enough for the other people whose names I’ve sent you. The swells in Paris won’t expect vellum in war time.
—Ezra Pound to Margaret Anderson, May 5, 1917 (43)
there is a certain type of mind that worries about such things. Quant a moi, I am more concerned with what people say than with the ink it is written in.
—Pound to Anderson, May 24, 1917 (55)
“the public” likes a lot of paper for its money
—Pound to Anderson, November 12, 1917 (151)
Playing With Data
The most exciting thing I learned at MSA 13 was that the Modernist Journals Project has made some of its data available for tinkerers to play with; specifically, the full text and metadata records for five little magazines: The Freewoman, The New Freewoman, The Egoist (these latter three represent a sort of single, permutating evolution), Others, and The Little Review.
The full-text is available in very lightly marked up TEI files (for nearly all purposes, you’d be best just stripping out the tags and treating it as plain-text) and metadata about the journals in separate MODS files (the acronym is wonderfully appropriate). Their new demo site, MJP Lab, shows some of the things they’ve been doing; and if you want to try some things yourself, you can grab the data yourself at the MJP sourceforge page
I was eager to get home and start playing; this post represents a belated first stab at some tinkering, in the hope of helping to start a conversation about what sorts of neat things we can do with this stuff; because if we can do some neat stuff with this stuff, hopefully the good folks at the MJP will continue this trend, and make their other material available. In this post I focus chiefly on a pretty crude unit of analysis—length.
Why would the length of a little magazine change? It was Tim Carmody who first suggested to me that a paper shortage during World War I might have had an important impact on the publishing of modernism. I can’t now locate the tweet, or series of tweets, where Tim first made this suggestion, but the inspiration with which I’ll toy for a while here is entirely Tim’s—only the mistakes and bad code are mine.
It is hard to get the news from poems; but its harder to get the history of paper from books. Histories of paper are often histories of paper-making technologies. (I’d be very grateful if anyone has a good recommendation of a book addressing the history paper, including paper costs and shortages, etc in the early twentieth century.) In desperation you might turn to Google Books and find Paper, a periodical “devoted to the manufacture, sale, and use of pulp and paper,” which reports, in September 1914 that “So far as can be observed by surface inspection the war has not affected manufacturing conditions so much as was expected a month ago. However, every day that passes brings the time of serious affection nearer.” By December 1914, “the effects of the European war upon the paper industry was demonstrated to be quite important the other day…”
In a tweet I’ve long since lost, Tim points to this passage from an essay on Joyce which Pound published in 1918: “Despite the War, despite the paper shortage… there is a new edition of James Joyce’s ‘A Portrait of the Artist’” (Pound/Joyce 133).
So certainly some concern exists (at least in America) about the availability of paper.
Ezra Pound’s letters to Margaret Anderson (editor of the Little Review) are interesting but never quite so clear (and here follows a bunch of quotations from the letters; feel free to move along). In a letter from which I quoted at the head of the this post, Pound writes that “Failing an increase in size, an improvement in paper <(even a slight imp)> would make a fuller use of the smaller font of type less disagreeable. That might be an intermediate move.” That Pound is talking about an increase in length is clear from the next comment that “We might aim for 48 pages by September” (46). An editorial note to this letter (citing, in turn, a letter from Donald Gallup) explains that “perhaps as many as twenty-five copies… of some issues of the LR were printed on high quality paper. This fact, Gallup notes, ’is especially important because the”rough” paper was of such bad quality that many runs of The Little Review have crumbled away and many libraries… have only microfilm.” (47). A month later Pound wants “to go to 64 pages just as soon as it can be managed.” Throughout his letters to Anderson, Pound can be seen weighing the cost of paper against other factors; Yeats, for instance, must have a copy printed on high quality paper (“he’ll fuss and lose interest if he sees his poems on cheap paper” 55); but it is equally important to “get a good deal of actual matter into Oct, Nov, Dec. EVEN if you have to use newspaper paper” (104). (Here as so often, one longs to have Anderson’s half of the correspondence.) In a letter from December 1917, Pound insists that “official stationary for official business is pure swank. AT the present price of paper!!!” (167), suggesting that indeed paper during the period of the war was getting dear.
So, did the war create a paper shortage which impacted little magazines in significant ways?
Looking at the Data
However dry this question may seem, it has the advantage of being answerable with the MODS data. Each issue in the MJP has its own MODS record containing metadata which includes the journal title, titles and authors of the texts contained in that issue, a date of publication, and a description of the physical object, including number of pages.
For example, here is the beginning of the record for the first issue of the Egoist:
mods:titleInfo> <mods:nonSort>The</mods:nonSort> <mods:title>Egoist</mods:title> <mods:subTitle>An Individualist Review</mods:subTitle> <mods:partNumber>Vol. 1, No. 1</mods:partNumber> <mods:titleInfo> </ mods:name type="personal"> <mods:namePart>Marsden, Dora</mods:namePart> <mods:role> <mods:roleTerm authority="marcrelator" < type="text">editor</mods:roleTerm> mods:role> </mods:name> </ mods:genre authority="aat">periodicals</mods:genre> < mods:identifier type="local" < displayLabel="Modernist Journals Project Identifier">Egoist:1:1 mods:identifier> </ mods:originInfo> <mods:place> <mods:placeTerm type="code" < authority="marccountry">enk</mods:placeTerm> mods:placeTerm type="text">London</mods:placeTerm> <mods:place> </mods:publisher>The Egoist, Ltd.</mods:publisher> <mods:dateIssued keyDate="yes" < encoding="w3cdtf">1914-01-01</mods:dateIssued> mods:originInfo> </ mods:physicalDescription> <mods:extent>20 p.; 31.5 x 21 cm</mods:extent> <mods:digitalOrigin>reformatted digital</mods:digitalOrigin> <mods:physicalDescription></
To get the information we want, we just need a little XSLT. Simple, right? Well, I don’t really know XSLT, but google and persistence will yield answers if not elegance:
<?xml version="1.0" encoding="ISO-8859-1"?> <xsl:stylesheet version="1.0" xmlns:xsl="http://www.w3.org/1999/XSL/Transform" xmlns:mods="http://www.loc.gov/mods/v3"> <xsl:output method="text" /> <xsl:template match="/"> <xsl:value-of select="mods:mods/mods:titleInfo/mods:title" />:: <xsl:value-of select="mods:mods/mods:titleInfo/mods:partNumber" />:: <xsl:value-of select="mods:mods/mods:originInfo/mods:dateIssued" />:: <xsl:value-of select="concat(mods:mods/mods:physicalDescription/mods:extent, '
')"/> </xsl:template> </xsl:stylesheet>
The “xmlns:mods=”http://www.loc.gov/mods/v3” line is necessary to let XSLT know about the MODS namespace (you get an error otherwise; trust me); we declare an output method of text (we’ll be essentially generating an self-styled text data file; you could output xml or html). Then we match the root element, and select just the data we want, in this case the journal title, the volume and number information, the date, and then the “extent” which is the size and number of pages. If you’ve noticed that ugliness in the last select statement, it’s because I’m using the concat[enate] function to manually add a newline character entity at the end, so that we get one line of output per issue. You may also have noticed that each of these fields is separated by a double colon. The more obvious field delimited—a comma—would cause a problem here since the “extent” field, for instance, has commas within it. So the double colons will make life easier.
(Yeah, this is ugly; if you have tips on a more elegant way of doing this, I’m all ears).
Use xsltproc with this stylesheet on the MODS file for the first issue of the Egoist and the output looks like this:
Egoist::Vol. 1, No. 1::1914-01-01::20 p.; 31.5 x 21 cm
But if you’ve downloaded all the MODS files and unzipped them in a
single directory, then a command like
xsltproc extract.xsl *.xml
> total.dat will get the data from everything; and indeed, you
can find all data from all the freely accessible journals in a Google
Doc (note that the Google Doc importer seems to have gotten a bit
confused by the dates).
This work flow makes it easy to add new data as it becomes available; just place it in the directory, rerun xsltproc… and there you go.
Paper and the War
You could just peruse this list to see that, for example, The Egoist does seem to get shorter during the war years. In late 1914 it drops from 20 to 16 pages, and then drops again to 12 pages in 1918 before returning to 16 pages for its last year in print, 1919. (Maybe everyone already knew this; maybe, among specialists in The Egoist this shortening has a well known explanation. Anyone?)
Since I’m used to doing things with processing, I’ll offer this rather
rudimentary visualization of changes in length of all five journals for
which data is available. (I’m doing something wrong in the main
draw() loop so that the fonts are coming out ugly, but you
get the idea):
Only three of the five journals are being published during the First World War. Both The Little Review and Others are not nearly so regular as The Egoist. Nevertheless, if you tilt you head, there does seem to be a general decline in journal length during the war; but really we’d want more data before we made anything of this.
Of course, one of the reasons I wanted to share even these rather incomplete and ugly results is that once you start tinkering, its hard to stop. Consider this: if paper is getting expensive, you might begin to try to fit more on a single page. Just to see whether I could do it, I decided to try to compare the page layouts of The Egoist when it was a full 20 pages (in 1914) to the shorter, 12 page Egoist of 1915. (I focus on The Egoist here because the shifts in its length created a clear opportunity for comparison.)
There would be other ways to look into this (including doing word counts on the full text files). But here is one thing you might try: first, grab the complete PDFs of a few issues from Vol 1 (1914) and Vol 5 (1915) of The Egoist. Without too much thought I got Vol 1, issues 1–5 and Vol 5, issues 1–5. The wonderful tool pdftk has a “burst” function will separate a pdf into individual pages. These, in turn can easily be turned into individual PNG page images, using imagemagick. Indeed, imagemagick is really the secret sauce here.
After that, we have two directories containing page images, one for
the Vol 1 issues and one for the Volume 5 issues. Imagemagick has a function
that will “average” a set of images; imagine, for instance, taking
50 images setting each to 2% transparency and then stacking them all
together so that you have a single page. The trick is that the images
have to all be the exact same size for the average function to
work (it is comparing the same pixel location across multiple images, so
size is key). That is easy enough with imagemagick as well. To get all
the images in a directory the same size:
convert *.png -size
The trick to that command is the exclamation point at the end (which has to be escaped in most circumstances, hence the slash) which tells imagemagick to not preserve the image’s original aspect ratio. This is crucial because for average to work the images must all be identical (otherwise, after watching your CPU chug away at 100% for five minutes, it will throw an error and leave a bunch of useless files in your directory). This will introduce some very minor distortion into the images, but it is a small price to pay (so long as you’re comparing images which are all very nearly identical in size to begin with). Once you’ve got your directory of images, all properly resized, here is the magic command (thanks to the kind folks on the imagemagick forum):
convert Vol1*.png -evaluate-sequence mean average_page.png
When all that’s done you get something which looks like this:
Nothing revolutionary; but sort of interesting. Note, for instance, that you can more easily make out the “Egoist” logo in the Volume 5 image, which makes sense—since each issue of the Volume 5 is shorter, the title page represents a larger proportion of the total set of pages.
What may be interesting is that the alley (the gap between the two columns of text) seems to be narrower in Volume 5 than in Volume 1 (it is a little difficult to see here; check the originals below if you’re curious; maybe I’m seeing things); does this suggest that rising paper costs during the war folks to squeeze more text onto each page? (What about the margins? It is hard to tell, but the margins too may be slightly smaller in the Volume 5 image).
When I get a moment, I’ll be trying to do some other things with this data. More data from other little magazines might shed light on changes in the length of little magazines during the war, at which point it would make sense to return to the journals themselves.
Concluding Methodological Postscript
I’ve made this point before, but the kludgy, tinkering series of things I did with the data is not the product of using any one tool. PDFTK, ImageMagick, processing, and XSLT were all thrown together. Rather than trying to imagine a single tool to rule them all, I think this sort of flexible tool chain is really the way to go. A little programming, a little data manipulation, and some command line tools can really go a long way.
- Pound, Ezra. Pound / The Little Review: The Letters of Ezra Pound to Margaret Anderson. Ed. Thomas L. Scott, et al. New York: New Directions, 1988. Print.